In the last few years, I have been investing quite a bit of effort into upping my game as far as photography as the craft. And with watching my friends and colleages going to dozens of shooting events and all the seminars, one thing has really started to stand out. You can train as much as you want, you can study as much as you want and you can spend a boatload of money on workshops but NOTHING works as well in helping you be a better photographer than getting out and shooting FOR REAL. Thats right, for real… dealing with weather, clients, stray people, schedules, crying children, bad traffic, balky equipment while in front of a paying client and trying not to sweat in front of them.
Book learning (or DVD, streaming boards etc) all help but you will learn the most just by getting out and shooting. And not just shooting your favorite stuff, you need to be put into an uncomfortable zone with demands put on you to produce. When you stretch out your skills and wing it, you learn alot more than by sitting in your favorite chair or goofing with some friends in a studio somewhere without any pressures on you. And the funny thing is when you are done, what you used to think was hard and uncomfortable is really not any more.
Case in point, I used to hate taking portraits. I mean, I would photograph buildings, cars, landscapes with a vengeance but not people. I didnt want to interact with people, I didnt know how to capture the emotion in people. When I decided to go pro, I knew I would have to learn to shoot people so I grudgingly started to learn how to shoot weddings. At least I didn’t think I needed to interact too much, I mean, it’s not like a up close and personal portrait session is it? My first mistake was to spend all my time “learning” about shooting weddings. I read books, I watched videos, I watched streaming classes, I was on the boards. I did everything BUT shoot weddings. Then I got drop kicked into actually shooting a wedding as a favor. Now I had to perform so I gathered up everything I had and shot the wedding. It was different than all the “learning” I had done up to that point. Between the chaos, the pressure and the demands of the various groups, it was quite the learning experience. And now after photographing more weddings, I do not view weddings with nearly the angst I had before. In fact, I really enjoy shooting weddings now, there is so much going on, so many opportunities to make art while making families very happy by capturing one of their most important days.
Family and single portraits were another “interactive” path that I initially rebelled against. But again, after being put into the position of shooting Christmas portraits for 30 families and shooting Operation Love Reunited deployment mini-sessions of military families where you really want to do your best, I find that portraits are probably what I enjoy photographing the most. It is very satisfying to shoot a deployment portrait for a family with a service member and be told that they never knew they had such a beautiful little family. This comment came from the young wife of a Marine being deployed in a few days and they had never had any kind of formal portraits taken of the family. It’s the kind of thing that makes it all worth while when you see the wife go “OMG, I cant believe thats MY family”
This image is a classic “real” world shoot. High noon on the beach with a small child and lots of distractions. Big difference than shooting in a closed studio with a model being paid to tolerate the wannabe photographer. I had to find a good place to shoot, arrange the shot, work out the settings for some pretty adverse conditions, work with mom and child to get the needed smile and move on to the next one.
I’m still learning every time I go out to photograph someone or something. But I learn more when working against a deadline and a high level of expectations from my paying clients. If you want to improve your craft, you never stop learning from any circumstances. And the more you shoot, the better you will become at adjusting to those circumstances and be able to step back and catch the lesson being offered.
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Black and Blue
I was in Irvine, CA last night for the Westcott Pro Tour and this was one of the results from shooting at the event. We used the Westcott spider lights with the tri-flector and the new vintage backdrop from Westcott.
Herman Rodriguez was our mentor photographer for this shoot and he had alot of very good information on shooting portraits with a tilt to fashion. The point above everything else was “shape the light”. It was all about lighting and how lighting can make or break an image. It definitely got me thinking more about how I light my own subjects.

- Image via Wikipedia
Oh yeah.. baby loves video
So I finally bite the bullet and bought ProShow Producer by Photodex. I used some images from the Westcott photoshoot at Photoshopworld as a test for a quick and dirty slide show. I tossed this together without reading ANY docs, just ran the wizard, clicked around a bite and off we go. In less than an hour I had pretty much made this show which included finding music on the internet.
Now I need to really dig into the software. It can do so much like layers and masking on the slides. It’s a lot easier than Premier and I like the end results more than Animoto. A cool part is that it has a kick butt “create” menu panel. Anything you would like to export the show into is there. BlueRay, DVD, self contained EXE, Flash, Youtube, Facebook and more. Way cool and one of the best export panels I’ve seen for video like this. Right now I have it running in Fusion on my MacPro in a Windows XP image and it works just fine. It would be nice to have an OSX version but this is very workable for now.
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