So here at Photoshopworld at the vendor Expo, Westcott did something very cool. They brought in four models (five counting the still life) and had them rotating between live demos to posing sets. Anyone with a camera could walk up and shoot the set/model from any angle you could get to. You could not change the lighting but you could have the model pose differently for you.

Here is the RAW shot from one of the posing stations. Straight from my D300 and zero adjustments.

Catwoman in Gotham City RAW

Catwoman in Gotham City RAW

Here is the same shot after my quick and dirty postprocessing. I will write up a complete “how to” post on how I got to the final product in a few days.

Catwoman in Gotham FINAL

Catwoman in Gotham FINAL

Why did Westcott do this? because they are having a contest going on that if your shot is picked from the Flickr feed, your shot will grace the 2011 Westcott catalog cover. Pretty cool idea and I saw quite a few taking advantage of the arrangement.

This is a short entry since I’m still in Las Vegas for the show and I’m trying to get this done before breakfast and another busy day.

Just a few words from the past few days.  The show is excellent as always but I think that the crowds are definitely smaller than what I remember a few years back. But everyone is very enthusiastic about the training, the show, Photopshop and everything that goes with it.

Scott Kelby and company did a righteous cover of the band KISS and a glam rock show complete with 9″ heels and pyrotechnics/steam/radio station sponsor and EVERYTHING was built on Photoshop/Adobe riffs.

Scott Kelby as KISS at PSW 2010 Vegas

Scott Kelby as KISS at PSW 2010 Vegas

JohnnyL from Adobe did a magic show and showed the crowd the magic of CS5. There was a poke in the eye at Apple for Flash and apps being rejected by the App store but accepted by Android. The irony there was ALL the computers used in the show were Apples as the iPad for the ePub demo.

Zack Arias did an awesome class on “Thing you need to know” as a photographer getting ready to make the switch from part time to full time.

I’ll write more in depth in the coming days along with more pictures of course. Back to the salt mines :)

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So I’ve been on a high key kick of late with Lightroom and Photoshop. I mean, EVERYONE does black backgrounds or vignettes and it’s old.. very old. I stumbled over something of a Hybrid High Key look while working on a junk image several weeks ago. I even posted an entry here on it and how I made it from junk to art. That just got my interest up as a new business angle. So for the past weeks, I have gone from fooling around with it to writing a Lightroom preset called “White out” to working in Photoshop to “paint” the final image.

Now I’ve extended it further with the use of Corel Painter 11 or you could use Corel Painter Essentials 4 which is considerably cheaper to get started with. I love digital painting. I love taking a sharp and detailed photograph and turning it into a painting or close to a painting that lacks the sharp details but has a wonderful texture and feel to it that a photograph is lacking. I will also add that a Wacom or other graphics tablet is pretty much required to do this well. A mouse is painful to use when you want to paint and you will get frustrated with it. In my case, I did try painting without the tablet and then I bought a used tablet for a cheap price to see if I really wanted to stay with it. I just bought a new medium Intuos 4 Wacom so I have committed myself to this style of post processing.

Photoshop CS5 has some basic painting elements now built in but I find them more of a play toy than anything ready for serious painting. But, they will get you by on the cheap if you already have CS5 and would not rather not sprint for Corel’s software OR you would rather not learn a new software package. I also feel that these basic brushes in CS5 are just the opening move for CS5 to move into Corel’s space. I think if Corel were smart, they would offer plugs for CS5 that extend CS5 more into the Corel way of painting. At least the 800lb gorilla is not quite as ready to step on you if you are a partner of theirs.  Just my opinion and I dont know diddly about what goes on in the backroom of Adobe or Corel.

White out conversion

White out conversion

So here is a picture that shows my original image plus the basic reworked image that has the background replaced with white and the levels reworked using my Whiteout action plus some manual tuning. I also used Portraiture to smooth out the skin.

I took this image, added about two inches around it in white and saved it as an eight bit TIFF file and brought it into Painter. I cloned the image and added a layer to the clone. Then I used the basic blender brush called “grainy watercolor” and painted out the edges. Then I used the same brush in various sizes to brush out fine details and to blend tones. I did add some color to places like the nose and lips which had blown out to white in the processing. I used black to add some lines to other blown areas, just a touch of a line, a hint as it were. I might add some color background but that defeats the point of a high key look in white.. but I might do it anyways. I also did some heavy retouching on the reflections in the glasses. Since I wanted the black dots on the hat and the black glasses to provide a counter point to all the white, I needed the glasses to be almost solid black with just a bit of reflection to provide the texture. Smooth black in my mind would be too much.

white out then painted

Whiteout when painted

You can see that while the painting looks good, there is still some room for improvements here and there. That is the trouble with this style of post reworking, you can get so caught up in refining things, you never finish it. I love to paint and I have several ideas for my business revolving around using painting as a tool. But like the basic art of photography, this will require a fair amount of practice on my part or yours if you want to try it also. I would warn you not to get too discouraged at first. Painter is not intuitive or at least I dont find it that way. Some of my Photoshop commands transfer but by in large, it’s a completely new set of skills and commands to learn. This is the attraction of trying to see how far I can push the new bristle brushes in Photoshop CS5 where I already feel comfortable.

Tools used in this article:

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I’ve always been fascinated with graphics tablets. I had one of the early ones called a “Kola Pad” for my C-64 even though I never had a real use for it. It was fun to doodle around with. I also goofed with a lightpen that let me draw on the CRT directly. It never worked as well as it should even though I spent a hundred 1983 dollars on it.

Now days I have a nice Wacom Intuos 3 tablet and I also picked up a copy of PainterX from Corel. The end game to all of this is to “paint” portraits and other pictures. I’ve seen enough “paintings” done to know if done well, they sell well. So I’m trying to get my skill set up to speed on using the tablet and software. Many people I know swear by the tablets and I have to admit in just goofing around, it is certainly easier than my mouse.

So to the end of figuring out how to make this work and how to paint with PainterX, I found a very cool book by Karen Sperling who knows much about PainterX since she has written many of the manuals for it. She has a new book out called “Painting for Photographers” and it’s very good. You can buy it in paper or as an EBook or both in a combo deal. I personally went for the combo because there are times I just want to hold the book and not worry about kill my screen’s batteries.

Karen has an entire line of stuff thats worth looking at if you are at all interested in using PainterX in making very cool portraits. Tutorials, video clips, webinars and so on. The one that I suspect most people should watch is the beginner’s tutorial to get used to using PainterX and the whole of idea of “painting” with a digital graphics tablet and software.

I’m also working my way through Jeremy Sutton’s DVD on using PainterX called “Learning Corel PainterX”. Not the best presentation in my opinion. He’s stiff on the screen and his voice tends a bit to drone which wants to put me to sleep. It’s not that the information is bad, it is really not, it just the presentation. One of the more useful tidbits aside from how to program the tablet to do useful things, was to learn that there different nibs for my Wacom pen. A princely sum of 25 bucks gets me some new nibs and cushions for my fingers. I had no idea this was available or even other “pens” were available.

I was able to get a nice Wacom preference pane dated 2009 from the Wacom site at no charge. Here is a screen shot of the interface along with the buttons programs to how Jeremy likes to use them. His button layout does make sense when you think about it.

wacom programable buttons

wacom programable buttons

Right now I’m using the tablet instead of my mouse for even the normal window open/close and so on just to get some time in on using it. The first thing I noticed is that my back is happier leaning back and having the tablet in my lap instead of one hand resting on the table top with the mouse. I may have to find the wacom mouse that came with the tablet.

I should have book and some videos in my hands in a day or so and one of them is to paint using Photoshop. It will be interesting to see if PainterX is really worth the money to paint with or can Photoshop easily do it also. I know it CAN do it, the question in my mind is Photoshop the RIGHT tool to paint with. I dont mind using more than one tool, I tend to collect tools but using just one and upgrading just one and so is appealing.

Using PainterX is very exciting since I have several images that I think will make very nice paintings once I learn how. I also feel that it will be a nice “up sell” for weddings and portraits. I knew a photographer in Chicago that offered this service and did quite well as an outsourced vendor for some of the major photographers in the area. In some ways, I think that would be a cool thing to back fill some of my hours when I’m not shooting.

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